In this book Wilson continues her work disrupting the landscape image and pushes the limitations of the flat image with physical interventions into the pages. This work uses photographs Letha has taken over the past year from her travels to California, Utah and Hawaii as the ground upon which to make actions such as a hole rip, fold, cut or hole punch into the image. Moves for this book were made before they were bound, allowing works to move across the spreads and take advantage of the hand binding process.