Inframundi is a catalogue of imaginary artefacts inspired by a personal story: that of a childhood spent in the presence of an ancient pre-Columbian mummy. Drawing on this formative memory, Elisa Valenzuela imagines the objects one might need in the afterlife.

Born from several years of research, the project is based on the study of pre-Columbian, Oceanic, and ancient art catalogues. The artist borrows their visual and descriptive conventions and shifts them toward fiction, constructing a parallel archaeology in which imagination replaces scientific method.