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A rare early portrait of Ryuichi Sakamoto revealed for the first time after 30 years

Staff Pick

From astronomy and photography to Surrealism, Laurent Millet reconstructs our imagination of the cosmos

Collector’s Choice

A complete visual archive behind Studio Ghibli classic Ocean Waves: from original illustrations to animation drafts and promotional posters

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Rare behind-the-scenes stills from The Virgin Suicides published after 25 years

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Neko: Cats of Japan, The latest photobook by the popular cat-loving Japan photographer Masayuki Oki

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Perhaps the world’s most famous dog-loving artist, David Hockney and the everyday life with his dogs

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Bad guys from early Japanese Tokusatsu: Bad People, a dedicated volume on villains from the 1970s to 1990s

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The untold story of female Photojournalist Catherine Leroy and her images from the Vietnam War

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Taiyō Matsumoto presents: the long-awaited comprehensive illustration collection TAIYOU, arriving after 19 years

Hideaki Hamada: Haru and Mina

Eleven Years of Tenderly Observing the Beauty in a Child’s Ordinary Days

Limit Time Offer: 2026 Japanese Art Book Sale

Highlight Artist

Guido Guidi

「我對發生在攝影本身邊緣的事情很感興趣,正如詩人兼散文家 Joseph Brodsky 在受訪時曾說:『邊緣是世界蔓延的地方』。」—— 義大利攝影師 Guido Guidi Guido Guidi 一直生活在義大利東北的里米尼、波隆那之間的小鎮和切塞納郊外的街區。那裡是個平坦的農業國度,有著一大片筆直的風景,耕種的田地、寬闊的地平線、架空的電線,有著古羅馬時期艾米利亞大道的長長跋涉,也有 A14 高速公路的平行繁忙,這些都是 Guidi 觀景窗中的視野。他所召喚的並非漂亮的鄉村、中世紀城鎮或模板般的義大利明信片風景,而是邊緣、零碎和最小的景觀元素,那些往往被忽略,遊客匆匆而過的普通之地 ── 公路旁建造的農用建築、城鎮邊緣錯落有致的樓房。即使進入熙攘中心,如 Guidi 在 1980 年代初拍攝的一系列切塞納照片,展示出的平凡破舊與別處並無二致,而總是介於兩者之間。 Guidi 不特意考慮 Read more...

Highlight Book

LAstrophile ou le Rêve Circulaire (9782488757010)

L'Astrophile ou le Rêve Circulaire

Laurent Millet

La série Somnium est élaborée suite aux premières lectures de Laurent Millet du texte de Kepler qui porte ce titre. Son atelier est rapidement devenu un écho lointain de celui des hommes de science de l'époque de Kepler, mâtiné d'influences issues des carnets de travail de Graham Bell sur les cerfs-volants, de certains autoportraits des primitifs de la photographie, de représentations didactiques View more...

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