$56.05
- Hardcover
- 84 pages
- 199 x 247 mm
- ISBN 9783906915821
- English
- Jun 2023
This publication features a brand new body of work by Cindy Sherman that continues her explorations of the genre of portraiture going back to her early work of the 1970s. Across thirty-six photographs, the artist collages parts of her own face to construct the identities of various sitters, using digital manipulation to accent the layered aspects and plasticity of the self. The book also includes a text by Sherman chronicling her process in the studio, offering an intimate glimpse into her thinking about the work.
Cindy Sherman was born in 1954 in Glen Ridge, New Jersey; she lives and works in New York. Her ground-breaking photographs have interrogated themes around representation and identity in contemporary media for over four decades. Sherman first turned her attention to photography at Buffalo State College, where she studied art in the early 1970s, and came to prominence in the late 1970s with the Pictures Generation group.
Utilising prosthetics, theatrical effects, photographic techniques and digital technologies, she has channeled and reconstructed familiar personas known to the collective psyche, often in unsettling ways, and has explored the more grotesque aspects of humanity through the lens of horror and the abject. Her later series have also touched on issues from class to aging.